nprbooks
nprbooks:

Our very own David Green got to hang out with JOHN WATERS and talk about his new book, Carsick — I am so jealous, I think I’m gonna run out and die for art!

On the people he met along the way and whether he turned them into movie characters
I didn’t have to turn them into extreme characters to be interesting to me. What was interesting to me was how matter-of-fact they were about being kinda great, and being accepting and being completely unjudgmental, but at the same time trying to help people — that farmer that gave me money, or that other woman who wouldn’t leave until I took the money. …
It reaffirmed my belief in the goodness of people. They treated me very nicely — that had nothing to do with any kind of fame or seeing me on a talk show or that kind of stuff, so that was very comforting to me. Now, some of the people when they would ask me what I do, I would tell them and they didn’t even believe me.
But I didn’t care, I mean, I wanted to talk about them. And the ones that did, then I’d give them what they want. I’d tell them anecdotes about movie stars and everything they wanted to hear. That’s fair. That’s my job! I got picked up hitchhiking! Your job is to talk. Or have sex. And no one asked.

— Petra

nprbooks:

Our very own David Green got to hang out with JOHN WATERS and talk about his new bookCarsick — I am so jealous, I think I’m gonna run out and die for art!

On the people he met along the way and whether he turned them into movie characters

I didn’t have to turn them into extreme characters to be interesting to me. What was interesting to me was how matter-of-fact they were about being kinda great, and being accepting and being completely unjudgmental, but at the same time trying to help people — that farmer that gave me money, or that other woman who wouldn’t leave until I took the money. …

It reaffirmed my belief in the goodness of people. They treated me very nicely — that had nothing to do with any kind of fame or seeing me on a talk show or that kind of stuff, so that was very comforting to me. Now, some of the people when they would ask me what I do, I would tell them and they didn’t even believe me.

But I didn’t care, I mean, I wanted to talk about them. And the ones that did, then I’d give them what they want. I’d tell them anecdotes about movie stars and everything they wanted to hear. That’s fair. That’s my job! I got picked up hitchhiking! Your job is to talk. Or have sex. And no one asked.

— Petra

“The story is simple: Boy meets girl; boy marries girl; girl falls ill on their honeymoon with a water lily on the lung, which can only be treated by being surrounded by flowers; boy goes broke desperately trying to keep his true love alive.

First published in 1947, Mood Indigo perfectly captures the feverishly creative, melancholy romance of mid-century Saint-Germain-des-Prés. Recently voted number ten on Le Monde’s list of the 100 Books of the Century (the top ten also included works by Camus, Proust, Kafka, Hemingway, and Steinbeck), Boris Vian’s novel has been an icon of French literature for fifty years—the avant-garde, populist masterpiece by one of twentieth-century Paris’s most intriguing cultural figures, a touchstone for generations of revolutionary young people, a jazz-fueled, science-fiction-infused, sexy, fantastical, nouveau-decadent tear-jerker that has charmed and beguiled hundreds of thousands of readers around the world. With the help of Michel Gondry and Audrey Tautou, it is set to seduce many, many more, as the movie based on the book premieres in the U.S. this summer.”
(Read the first chapter of Mood Indigo)

The story is simple: Boy meets girl; boy marries girl; girl falls ill on their honeymoon with a water lily on the lung, which can only be treated by being surrounded by flowers; boy goes broke desperately trying to keep his true love alive.

First published in 1947, Mood Indigo perfectly captures the feverishly creative, melancholy romance of mid-century Saint-Germain-des-Prés. Recently voted number ten on Le Monde’s list of the 100 Books of the Century (the top ten also included works by Camus, Proust, Kafka, Hemingway, and Steinbeck), Boris Vian’s novel has been an icon of French literature for fifty years—the avant-garde, populist masterpiece by one of twentieth-century Paris’s most intriguing cultural figures, a touchstone for generations of revolutionary young people, a jazz-fueled, science-fiction-infused, sexy, fantastical, nouveau-decadent tear-jerker that has charmed and beguiled hundreds of thousands of readers around the world. With the help of Michel Gondry and Audrey Tautou, it is set to seduce many, many more, as the movie based on the book premieres in the U.S. this summer.”

(Read the first chapter of Mood Indigo)

“The city of Grifonia, Italy, is swarming with secrets—thousands of years of dark, murderous secrets. Taz, a British student who has just arrived for her year abroad, thinks that she will spend her time in Italy sipping wine and taking in the rolling Umbrian hills. But she soon falls in with a cabal of posh, reckless girls—the B4—who turn her quaint fantasies into an erotic and dangerous rush through the darkest realms of friendship and love.”
("When Study Abroad Goes Wrong")

The city of Grifonia, Italy, is swarming with secrets—thousands of years of dark, murderous secrets. Taz, a British student who has just arrived for her year abroad, thinks that she will spend her time in Italy sipping wine and taking in the rolling Umbrian hills. But she soon falls in with a cabal of posh, reckless girls—the B4—who turn her quaint fantasies into an erotic and dangerous rush through the darkest realms of friendship and love.”

("When Study Abroad Goes Wrong")